刘冠辰 | 文
Liu GUANCHEN Wen
Father and mother, one is a traditional Chinese painting teacher and the other is a music teacher. Under the influence of their two elders, they naturally learned traditional Chinese painting. Later, he began to create contemporary art and always felt a sense of drama. Born in the 1970s, I experienced the cultural revolution, reform and opening up and the Internet era... I felt like a person for several generations in a trance. Growing up in cultural grafting, we always wonder whether we are the children planted in the hacker empire. Is it causal reincarnation? Suddenly found that we are walking on the edge of the world and time. Did the gods alienate and separate us, or did we accidentally break those connecting lines and find our own eyes
Walking on the streets of Zhengzhou, watching the towering "pagoda" of Erqi (once a landmark of Zhengzhou) gradually turn into a gray little shorty in time. Like pedestrians on the roadside, they run around with dull eyes. Where are their souls? Or does it not exist at all? Are people alive in their rush? Still alive. The world is like a huge 3D movie, full of various complex performances, rumbling and turning, like those inexplicable advertisements on the bus. The fragrance of melamine, Sudan red, gutter oil, haze and other fantastic ideas filled this once familiar land. What can we say about the people who have lost their souls, the land that has lost their lives, and all kinds of strange phenomena? Build in subversion, subvert in construction.
Finally, I came to a conclusion. I firmly believe that we are a generation of high-tech new humans produced by various biochemical experiments, running... Living