【一甸艺术】艺术人物｜刘冠辰：光斑的漫步
光 斑 的 漫 步
绘画艺术之于情感的“心理”呈现，是艺术家个体观念和敏感神经元的内在媒介，一如具有特质密度和深度的语言一般。在魔幻与现实之间，光斑的零散隐现，始终贯穿于刘冠辰的绘画作品中，形色之间亦透露着他对现实体态下多类生活物本身的属性扼取及嬗变语言的内在标识。
从刘冠辰的近作来看，一种分离或肢解物象的行径过程被他缓慢定格下来，趋实于大地的壮观景象和微风细雨下的绵柔气韵，甚至是被遗忘在庞贝古城消磨的漫步时光和丽影音迹。存在物的光斑，时刻漂浮在现实生命的表征下，沉默的直觉是他转述对生与死的某个片段的自然体验，而这种图景的观象再现，则是源于在“光斑与漫步”之间找寻出的一种自我构建理想镜像的实践方式和行为准则。
光斑的散点输出，不仅体现在画面以分割流溢的色域来展开排列，深邃类如“单一”的造型叠层和错位的结构顺序在其中自由漫步。厚重、光鲜的色域组块遍布于其中之表，平缓灵动的笔触走势起伏在这些光斑中。物理的现实与想象的魔幻壁垒瞬间勾连，直至崩碎，万籁俱寂，无声的景观图像，显得更具另一重生命性和感染力。
——惠书文
Light spot walk
Painting art is the internal medium of artists' individual ideas and sensitive neurons, just like language with characteristic density and depth. Between magic and reality, the scattered and invisible light spots always run through Liu GUANCHEN's paintings. The shape and color also reveal his internal identification of the attributes of many kinds of living things and the evolution of language under the real body.
From Liu GUANCHEN's recent works, a process of separating or dismembering objects was slowly fixed by him, which became real to the spectacular scene of the earth and the soft charm under the breeze and drizzle, and even the wandering time and beautiful shadow tracks lost in Pompeii ancient city. The light spot of existence always floats under the representation of real life. The intuition of silence is his natural experience of telling a fragment of life and death, and the visual reproduction of this picture comes from a practical way and code of conduct of self constructing an ideal mirror between "light spot and walking".
The scattered output of the light spot is not only reflected in the arrangement of the picture by dividing the overflow color gamut, but also in the free walking of deep categories such as "single" modeling lamination and misplaced structural order. Thick and bright color gamut blocks are all over the surface, and the gentle and flexible stroke trend fluctuates in these spots. The physical reality and the magic barrier of imagination are linked in an instant until they collapse. All sounds are silent. The silent landscape image is more vital and infectious.
——Hui Shuwen